Sunday, 9 November 2014
Death in Heaven
Phil Sandifer recently complained about reviewers criticising this last season of Doctor Who as derivative. In his opinion, those who make such a charge have nothing meaningful to say about Doctor Who. What I say is that I know when Doctor Who is not derivative. Warriors' Gate does not feel derivative, nor does Snakedance. Yes, those stories have influences both inside Doctor who and outside it. Yet this is very different from being essentially a rehash of other stories, in the way that Attack of the Cybermen is. Death in Heaven feels rather more enjoyable than Attack of the Cybermen, but it still feels very much a recycling of similar stories and themes. There is a lingering sense of deja vu about this episode. One feels that one has seen something pretty similar before, but can't quite remember exactly which episode.
Death in Heaven very much feels like a Russel T Davies story with Moffat elements thrown in. Arguably, it is a stronger version of Closing Time with UNIT and the Master thrown in. Perhaps it is inevitable that a story that brings back the Master, the Cybermen and UNIT will feel unoriginal, which perhaps raises the question of whether doing all three together was such a great idea.
Death in Heaven has some exciting moments and it is Michelle Gomez's Missy that makes it really enjoyable, but on the whole it is a slightly disappointing piece of work. The pacing is definitely uneven and the ending is a little confusing and clumsy.
The death of Osgood has definitely bothered a lot of fans and it is easy to see why. Killing off a likeable character is a risky move. I would argue that the last season has been a little too heavy on big emotional moments; they should be used sparingly. Yet in this instance, we arguably ought to have had a more emotion put into the death of Osgood.
Killing off Osgood was a questionable move and so was killing off Missy. I used to be very much in favour of the death penalty. I'm not sure I disagree with it, but I'm not convinced any more. Perhaps this is due to my conversion to Catholicism. Catholicism is ambivalent about the death penalty; acknowledging that it may be necessary, but not identifying it as an ideal. Whatever the rights and wrongs of the death penalty, I was very uncomfortable at seeing an unarmed and helpless woman killed in cold blood. The viewer is clearly encouraged to sympathize with Clara who demands Missy's death. I am sure Moffat did not intend this to be advocating the death penalty, but that is how it came across, much like the way Kill the Moon seemed to unintentionally oppose abortion. Would it really have been such a bad idea to have Missy handcuffed and frogmarched off to jail at the end? Why does the Master need to be killed at the end of every appearance, only to have the writers find some contrived way to bring her back? Lawrence Miles rightly complained about the laziness of writers who kill off too many characters.
As a theologian, I am very glad that the Doctor denied that love is an emotion. Yes, love is not an emotion, but a disposition of the will. Christian orthodoxy holds that God is love, yet he is also impassible, that is without emotions.